Designs using my stitch patterns

It occurs to me to mention that I have a bundle on Ravelry that lists all the patterns I know of that use my stitch patterns: Naomi’s stitch patterns in use. So far, it’s just nine patterns, but I know of four more that will be coming in the next few months.

If you have a Ravelry account, you can click the “add to favorites” button on the bundle to find it easily in the future.

Here’s a screenshot of what you’ll find right now (see bundle for working links):

screenshot of patterns currently in pattern bundle

 

This Thing of Paper (with bonus stitch pattern)

When I went to library school, one of my favorite classes was about the history of books and libraries. I thought it was fascinating, both in terms of the changing ways that information has been conveyed in text throughout history, and in terms of the kinds of physical objects that can be described by the word book. I also learned to be a reference librarian, which led me, in a moment of strange inspiration in the library stacks, to my techniques for turning words or library call numbers into knitting stitch patterns.

Learning about various ways of filling a page with words also influenced the patterns. For instance, the layout method I use most often for my encoded words was loosely inspired by the way that line breaks in some medieval manuscripts might come anywhere in the middle of the word, without benefit of hyphen or syllable boundary. And sometimes I toy with the idea of boustrophedon.

So as someone who combines words and knitting and who is interested in the history of books as physical objects, I am filled with glee by Karie Westermann‘s Kickstarter for a book that combines her academic background in the history of the book and her skill in designing knitting patterns. I’m pleased to report that the Kickstarter was completely funded within 25 hours. (It’s reached 135% of the original goal as of this post!) I gather that Karie has some stretch goals in the works since there’s been such tremendous interest. Keep an eye out! I hope you’ll join the people who’ve pledged  so far.

This Thing of Paper will contain ten knitting patterns based on imagery from old books, as well as essays about the history of books and the way that people’s access to information changed with the invention of the printing press. I want to hold this book in my hands. I hope you do too.

Teaser_image TTOP2
© Karie Westermann

I’d like to thank Karie for including me in the blog tour to share her Kickstarter. It’s feeling a little like an online party, celebrating the community of people who think that this book should happen. Karie’s clearly thought hard about what’s involved in the complete process of running a Kickstarter and publishing a book.

The next post on this blog tour (lots of posts by interesting people are coming up) will be by Meg Roper at Mrs M’s Curiosity Cabinet. I hope you’ll visit her tomorrow – I’ve been reading some of her posts and think I’ll be adding the blog to my reading list: mending and making, bookbinding, thoughts about reuse and careful choices in clothing purchases… and yes, knitting.

Because I was so excited by all this, I couldn’t resist making a stitch pattern as a gift to my visitors. Naturally, I had to choose a word somehow related to books. I’ve always liked the sound of the word folio, and so here we are: one lace pattern and one chart for any craft.

Folio: a free lace knitting stitch pattern
© Naomi Parkhurst

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Excited to announce: Ashputtel

Ashputtel shawl, by Nim Teasdale.

This isn’t my design, but in some ways I’m even more pleased, as it’s the first time that I know of that another designer has used my stitch patterns for designing, and to good effect.

Nim Teasdale has designed Ashputtel for her series of fairy tale shawls, using two of my stitch patterns (Spring and Summer), with some slight variations of the sort that are sometimes needed when designing a large object.

I’ve knit one of Nim’s shawls and have been chatting with her online. One of the things I like about her patterns is that she tries to design the layouts to make them variable – that is, the charts can be worked in different orders and for different numbers of repeats. I like the way this encourages knitters who don’t want to design from scratch to play with the possibilities and make the shawl their own in ways beyond the yarn choice.

In any case, I’m as pleased as can be! Do go have a look at Nim’s work. And if you’re on Ravelry, it’s well worth looking at the project pages for her shawls to see how people have played with the possibilities!

(And I’d love to see what other designers make of my stitch patterns.)